Salon d'été

Highlights from the 19th century to postwar. From Suze Robertson to William Copley.

Open by appointment.

Constant, Compositie met vierkanten, 1953
Constant, Compositie met vierkanten, 1953

Artworks

Suze Robertson, In gedachte

Suze Robertson, In gedachte

oil on panel
54 x 44 cm
signed lower left
Stephen Gilbert, untitled, 1951

Stephen Gilbert, untitled, 1951

oil on canvas
55 x 46 cm
signed upper right
Jan Hendrik Weissenbruch, Dekkersduin

Jan Hendrik Weissenbruch, Dekkersduin

watercolour on paper
30.5 x 55.5 cm
signed lower right

Provenance:
Kunsthandel Pieter A. Scheen, The Hague.

Exhibitions:
Paris, Grand Palais (14 January-28 March 1983)/London, Royal Academy of Arts (16 April-10 July 1983)/The Hague, Haags Gemeentemuseum (5 August-31 October 1983), 'The Hague School: Dutch masters of the 19th century', cat. no. 141.

Literature:
R. de Leeuw, J. Sillevis and Ch. Dumas, 'De Haagse School, Hollandse Meesters van de 19de eeuw', The Hague 1983, p. 285, cat. no. 141;
W. Laanstra, 'Johan Hendrik Weissenbruch 1824-1903', Amsterdam 1992, ill. pp. 162, 163, no. OA/30-3.
William Copley, untitled, 1990

William Copley, untitled, 1990

felt-tip and graphite on paper
46 x 60.5 cm
signed and dated lower right

Literature:
Galerie Zell am See, William N. Copley. Zechnungen 1964-1994 (München, 1995) pp. 28
Suze Robertson, Slapend meisje

Suze Robertson, Slapend meisje

pastel on paper
77 x 60 cm
signed lower right
Joan Miró, untitled (from Solidarité), 1938

Joan Miró, untitled (from Solidarité), 1938

etching on paper
17.5 x 14.5 cm
signed lower right, numbered lower left
numbered 69/150

Literature:
Aldo van Eyck, Niet om het even … wel evenwaardig, van en over Aldo van Eyck (Rotterdam, 1986) (illustrated in b/w inside back cover);
Dupin 42.
Jan Hendrik Weissenbruch, Karretje op een zandweg

Jan Hendrik Weissenbruch, Karretje op een zandweg

watercolour on paper
39 x 23 cm
signed lower left

Literature:
Pieter A. Scheen, ‘Lexicon Nederlandse Beeldende Kunstenaars 1750-1950', The Hague 1970, pp. 663, ill. no. 289.
Willem Laanstra, ‘Johan Hendrik Weissenbruch (1824-1903)', Amsterdam 1992, ill. p. 178, no. OA/39-1.
Constant, untitled, 1953

Constant, untitled, 1953

gouache and collage on cardboard
50 x 63 cm
signed and dated lower right
Morgan Betz, untitled (Flag), 2026

Morgan Betz, untitled (Flag), 2026

nylon panty, wood and MDF
77 x 53 x 4 cm
signed, dated and titled reverse
George Hendrik Breitner, Het opslaan van de kermis

George Hendrik Breitner, Het opslaan van de kermis

watercolour and gouache on paper
29 x 49 cm
signed lower left

Provenance:
Auction, Frederik Muller, Amsterdam, 19 March 1907 (sold for for Nfl 675,-).
Collection Mr A.C. van Ommen van Guijlik, Laren, by 1928.
Auction, Frederik Muller, Amsterdam, 30 April 1935.

Exhibitions:
Amsterdam, Gemeente Musea van Amsterdam, ‘G.H. Breitner’, no. 129 (label attached to frame).
The Hague, Gemeentemuseum voor Moderne Kunst, ‘Breitner tentoonstelling’, 10 November-9 December 1928, no. 42, as: ‘Het opslaan van de kermis’ (label attached reverse).
Brussels, Palais des Beaux-Arts, ‘Exposition Breitner’, January 1932, no. 31 (label attached to frame).
Stephen Gilbert, untitled, 1951

Stephen Gilbert, untitled, 1951

oil on canvas
141 x 96 cm
signed and dated lower right
Constant, Compositie met vierkanten, 1953

Constant, Compositie met vierkanten, 1953

oil on panel
59.5 x 59.5 cm
signed and dated lower right

Inquire about