The ornamental abstraction of Dan Walsh is rooted in the economical visual idiom of minimal painting from the 1960's and 70's. Perceptibly inspired by artists like Sol LeWitt (1928 Hartfort, Connecticut – New York 2007)[...], Walsh's painting is created within the strict parameters of a grid and square, and follows self-imposed rules and procedures. Although most of the compositions consist of complex combinations of different decorative structures, they appear relaxed and natural, as though they have casually adapted themselves to the picture plane. Looking at the patterns in his paintings evokes a world of associations, ranging from ornamental architecture to fabrics from all corners of the world. Walsh thus succeeds in bridging the gap between a modernist tradition that strives for autonomy and the collective history of applied arts.